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Luminosa
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Price: $10.22
Price subject to change!
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To view Amazon.com's best price click on the above link. Please note that you are under no obligation to buy. If you decide to add your selection of "Luminosa" to your Amazon shopping cart. You may then return to CD Nature.com to shop for additional New Age Music or continue shopping at Amazon.com.
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Binding: Audio CD
EAN: 0809274011725
Label: Warner Classics
Manufacturer: Warner Classics
Number Of Discs: 1
Publisher: Warner Classics
Release Date: 2001-10-02
Studio: Warner Classics
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Customer reviews of Luminosa
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Customer Rating: 
Summary: Extraordinary
Comment: On your list of things to do before you die, add to it the purchase of this album.
It it simply amazing, with vocal performances of stunning beauty and wonderful arrangements which never seem stale and sound as fresh and new as many times as you listen.
The voices of Ben Crawley and Steven Geraghty are just sublime, both as soloists and as a duet. Listen to Stabat, worth the price of the CD alone.
Despite their incredible talent and dedication (the boys do this as a hobby) they all remain wonderfully grounded and refreshingly normal.
What wonderful ambassadors for their generation.
One more thing to add to that list: if they appear in concert in a country near you (yes, I did say country) you must go. Disregard the distance and the expense. It is an occassion, a moment, an experience that will haunt you forever.
Customer Rating:
Summary: Luminous
Comment: This was the first Libera disc I owned, after stumbling across it at random in 2002 while visiting Canada. "Luminosa" is exactly that: luminous.
The choir is not purely "classical"; lambasting them for failing to conform to a prefab Genre Box is ridiculous, unfair, and spiteful, especially when the ensemble is made up of schoolchildren united by their love of the art. Nor does the mainstream classical establishment have a total monopoly on the "music of the masters." If you're an ultrapurist and don't like what's being done to "your" music, you shouldn't have bought the CD in the first place! (I say that as a university-trained musician and Bach aficionado). Amazon puts samples on the site for a reason.
And LAY OFF the kids. Most of them are 7-12 years old; some of the other reviewers obviously didn't keep that in mind when critiquing the disc.
For the rest of us...
As a fan of Gregorian chant and other vocal ensembles (such as Anonymous 4), I was particularly impressed by the traditional ambience of many of the tracks, using Latin texts set to Gregorian-shaded music. The choir itself is the audible form of "perfection," something that's only become more and more obvious with each new release. The melding of traditional plainchant motives with a sprinkling of electronica, rhythmic variance, and the choir's overall warm timbre is what creates Libera's unique sound.
For people new to Libera, "Luminosa" is the best place to start. The disc is a collection of music that shows off the choir's versatility and, most of all, its unique sound. Although the composition of the ensemble has almost completely changed since "Luminosa," the inimitable 'Libera sound' is still fresh and engaging.
A few highlights:
* The "Ave Maria" here is not the same as the "Ave Maria" given at Leiden and on the "Angel Voices" disc. Luminosa's "Ave Maria" is largely a solo piece with the choir backing the lead treble.
* "Sacris Solemnis" begins inauspiciously enough with a single soloist, before building to a powerful climax. Like several of the disc's other pieces, "Sacris Solemnis" is indebted to chant motifs.
* "Sanctus" is one of Libera's most popular tracks, and is based on Pachelbel's "Canon in D." The choir gave this number as part of their performance before Pope Benedict XVI during their first American tour.
* The title track, "Luminosa," sets a poem about light to Debussy's "Clair de Lune." The result is a shimmering, meditative piece that shows off the enormous talent of the choir's highest voices.
* Even for Libera, "Lacrymosa" is a stunningly beautiful track. The music is darker and more daring than anything else on the disc, with more complicated harmonies and insistent rhythms for the upper voices contrasting against a lower solo singing a plaintive, almost desperately pleading melody. One of Libera's very highest moments.
Bottom line: the best place to start...in less than an hour, Robert Prizeman and his choir of schoolboys prove that the human voice is the greatest instrument of all.
Customer Rating:
Summary: Magical Music!
Comment: There were a couple of familiar but cleverly disguised tunes hidden among the original, magical music of this choir boy cum boy band with angelic voices. Worth every penny for the peace and tranquility it brings to any room and any head-space. There's nothing like the purity a young man's voice bears before it changes to a man's. This was a gift for my step mother, a Canon in the Anglican church. She noticed that instead of the usual organ present in most church choir music, the full orchestra gave it a contemporary sound. She loved it! And so do I.
Customer Rating:
Summary: luminosa
Comment: Absolutly exquisite. One of my favorite albums. My mid teen Son doesn,t even ask me to turn it down. The voices/music is so uplifting it sometimes moving me to tears. I have been sharing this with others who are awed when they hear it. I could go on and on.
Customer Rating:
Summary: Magical Music for Deep soul searching
Comment: This is an amazing CD. The music is so pure and angelic. I play it all the time in my house. Love it!
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Editorial Reviews:
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Luminosa is the follow-up to London boys' vocal group Libera's popular 1999 eponymous debut. That album made the pop charts and found the group--they prefer to be called a real boy band rather than a choir--on television with Lesley Garrett. Of the 12 new tracks, half are arrangements of familiar classical melodies. Saint-Saëns' Carnival of the Animals is represented by a mysterious reinterpretation of "Aquarium," rather than "The Swan" suggested by the cover. Of the remaining pieces, one is an arrangement of the traditional "Gaudete," and five are new compositions by Libera's director, Robert Prizeman. His "Silencium," a setting of Walter de la Mare's "All That's Past," has the haunting calm of Enya, while "Sabat" carries the boys' voices to the top of their range to ghostly effect. Drawing on the entire classical tradition, from the plainsong of "Veni Sancte" to an incongruous remake of Beethoven's Symphony No. 7, Prizeman weaves a New Age tapestry from beautiful young voices and polished production techniques. Classical purists will be aghast at Handel and Debussy sharing space with digital sound sculpting, which leaves Luminosa free to find a home as easily accessible, superior background music. --Gary S. Dalkin
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