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The Everlasting Blink

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Price: $9.99
Price subject to change!
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Binding: Audio CD EAN: 0634651061426 Label: Guidance Recordings Manufacturer: Guidance Recordings Number Of Discs: 1 Publisher: Guidance Recordings Release Date: 2003-09-09 Studio: Guidance Recordings
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Customer reviews of The Everlasting Blink
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Customer Rating:      Summary: What a disappointment Comment: Recently I realized how often I listened to Bent's first album, so I bought Everlasting Blink. What a disappointment, gone were the sensuous vocals, cool riffs, and vibey flow of the first album. I just think Everlasting Blink is a bit of a bore, nothing jumped out at me, sounded very much like generic electronica muzak. Bummer!
Customer Rating:      Summary: Hoping for more: more of the same... Comment: After having loved their debut "Programmed to Love", I was somewhat dissapointed at Bent's "Everlasting Blink". While not a bad album, I found it to be more of the same. Still, had it not been for the self-indulgent 22-minute long closing track, which consisted of one LOOOOOONG and unnecessary 9-minute-some long chunk of nothing more than silence, this could have been a four-star album. I just simply lost interest in it a halfway through it.
Customer Rating:      Summary: Great CD! Comment: I really like Bent although I don't know much history about them. The first song I ever heard of theirs was a cut called "Good Bloke" back in 2000 on a compilation called "The Chillout Room vol. 2". Then in 2001, MOS released tons of chillout comps and featured remixes and originals from Bent's "Programmed to Love" which I also really enjoyed. Finally in 2003, they came out with this one.I don't really want to say which is better - they both have a unique sort of style. Bent focuses on electrical chords and in some ways, old school rythms. This one to me is a very suitable pick-up from where the first cd left off and moves the band a notch forward with their sound. You pop in "Strictly Bongo", and let it play and you're taken to the early 80's, late 70's until the end loop... a pure English vibe... and it's so nostalgic to me. Probably my favorite small loop in a song. And what's a Bent CD without some strange head-scratching "huh?" moments... like when the vocals for "So Long Without You" kicks up a notch? Oddly, it's acceptable because the group is Bent! And for anyone that's a Keen Eddie fan, there's a scene where Detective Pepin (the dude that was in the movie "The Saint" as a student) sits alone in a bar contemplating if not being "tied down" is so great after all. The music playing is from this cd - "Beautiful Otherness" is the song. I highly recommend this. I've enjoyed it a great deal and it gets regular play in my collection. It won't make you forget Programmed to Love, it just sort of continues on with a more modern sound and different influences. It's got a tripped out feel that'll take you to another place and interesting electronic touches and great sounds in the ways that are typical "Bent". They manage to stay fresh without going too far away from what makes them who they are. And if you enjoy this, I would recommend music from lemonjelly.ky, Kinobe, The Dining Rooms, Leftfield and FC Kahuna.
Customer Rating:      Summary: Worthy follow-up Comment: While "Programmed" had a retro feel, "Blink" is decidedly more modern, eclectic, post-techno, or whatever the terminology is. Electronica is wonderfully suited for blending with R&B/soul (think Zero 7 or Royksopp), and Bent has one nailed with "Strictly Bongo". This is followed by "Beautiful Otherness" which is a classic, and has one of the most catchy baselines ever. The next 7 tracks vary in style enormously. Hard to believe a man with a mullet could produce such artsy music. Bent is one of the most original bands on the planet, to be placed on Olympus alongside the Pixies, Boards of Canada, and Lemon Jelly.
Customer Rating:      Summary: 'thick ear' - the irony! Comment: while i agree with most of the comments others made about this album, the near-universal dislike of the circus-like atmosphere of the closer, "thick ear," strikes me as quite hilarious. perhaps the tune is aptly named, as doctors bent likely understood, while brilliant as the track is, that genius would more times than not fall of deaf ears. seems to me that some folks need to visit the "music therapy" wing of "the bent home for the tediously sane," as advertised on their website.
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Editorial Reviews:
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Nottingham's Bent are like the funny uncle of the chill-out world--scruffy, eccentric, often embarrassing, but lovable all the same. The Everlasting Blink, the duo's second album, is like a similarly oddball relative; interestingly strange, but not the kind of thing you'd want to live with for any length of time. It's every bit as beautiful as the likes of Lemon Jelly and Zero 7, but with a roughness and fuzziness that makes it impossible to dislike. In Bent's world, smooth grooves and multicolored soundscapes are replaced by dodgy samples from cheesy thrift-store records, crisp beats, and cheap ambient synth sounds. Their debut album, 2001's Programmed to Love, took this spiky cut-and-paste approach to extremes, with intensely laidback cuts next to odd electronic work-outs. On the other hand, The Everlasting Blink is a much smoother proposition--just as silly and cheesy, but with altogether better production and less freaky weird-outs. It's full of glimmering trinkets of sonic loveliness; gems such as the poppy "Beautiful Otherness" (featuring the Beloved's Jon Marsh on vocals); lead single "Magic Love"; semi-acoustic country sing-a-longs and quirky electronic interludes. For those who've already fallen in love with Bent, this is nothing new; for those yet to convert, it should be a revelation. --Matt Anniss
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